{"id":19092,"date":"2020-10-14T14:44:18","date_gmt":"2020-10-14T12:44:18","guid":{"rendered":"https:\/\/www.hab.de\/dereglement-de-tous-les-sens\/"},"modified":"2022-05-17T08:39:54","modified_gmt":"2022-05-17T06:39:54","slug":"dereglement-de-tous-les-sens","status":"publish","type":"post","link":"https:\/\/www.hab.de\/en\/dereglement-de-tous-les-sens\/","title":{"rendered":"\u00bbD\u00e9r\u00e8glement de tous les sens\u00ab"},"content":{"rendered":"
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Through the identification of oeuvre and biography, Rimbaud emerged as an idol of aesthetic and social rebellion. The signs of his influence on French surrealism, German expressionism, and the American beat generation are legion, and authors like James Joyce, Bertolt Brecht and Peter Weiss are testament to the impact he had.<\/p>

According to Rimbaud, the poet must become a visionary medium through a \u2018deregulation of all the senses\u2019. He has the power to turn the world into poetry by performing an \u2018alchemy of the word\u2019. How did visual and musical artists meet the challenge of unleashing sensory perception using the means available to them? Because the act of transcending language in the reception of Rimbaud by the visual and musical arts has been little studied to date, the exhibition marking the 125th anniversary of the poet\u2019s death focused on painter\u2019s books that engage on the visual level with texts by Rimbaud. These exhibits were flanked by artist\u2019s books referencing Rimbaud\u2019s literary environment (Charles Baudelaire, Paul Verlaine and others) as well as his reception (Wolfgang Hilbig).<\/p>

Rimbaud, the rebel who sought to destroy the illusory reality of the mellifluous, became a role model for rock musicians from Bob Dylan to Kurt Cobain. In classical music, it is the noncompliant, the persecuted, the decidedly modern, the avant-garde and the experimental composers \u2013 including Paul Hindemith, Hanns Eisler and Benjamin Britten \u2013 who based their vocal and instrumental compositions on Rimbaud. On three occasions \u2018listening stations\u2019 were organised: these took the form of special tours to explore how composers have engaged with Rimbaud, with the aim of bringing their music to life.<\/p>

The exhibition featured works by:<\/strong>
Pierre Bonnard (1867\u20131947), Fernand L\u00e9ger (1881\u20131955), Max Ernst (1891\u20131976), Germaine Richier (1902\u20131959), Salvador Dal\u00ec (1904\u20131989), Ernst Wolfhagen (1907\u20131992), Michel Lablais (b.\u00a01925), Hermann Naumann (b.\u00a01930), Thomas Harndt (b.\u00a01932), Ian Tyson (b.\u00a01933), Wolff Buchholz (b.\u00a01935), Martha Hellion (b.\u00a01937), Irmtraud Klug-Berninger (b.\u00a01944), Peter Spiegel (b.\u00a01944), Kai Pfankuch (b.\u00a01949) and Christiane Just (1960\u20132011).<\/p><\/div>\n<\/div>\n\n

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Leiterin der Stabsstelle Presse- und \u00d6ffentlichkeitsarbeit, Kulturprogramm<\/h4>\n Antje Dauer<\/a>\n \n \n
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T\u00e4tigkeitsschwerpunkte Presse- und \u00d6ffentlichkeitsarbeit, Interne Kommunikation Redaktionelle Verantwortung f\u00fcr die Website der HAB Corporate Identity Museale R\u00e4ume in der Bibliotheca Augusta und Lessinghaus, Kulturprogramm: Ausstellungen, Konzerte, F\u00fchrungen, Lesungen und Vortr\u00e4ge   Curriculum Vitae Seit 2008 Pressesprecherin und Leiterin der Stabsstelle Presse- und \u00d6ffentlichkeitsarbeit, Kulturprogramm an der Herzog August Bibliothek 2006-2008 Studium der Politikwissenschaften an der […]<\/p>\n","protected":false},"author":21,"featured_media":9851,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[140,227,237],"tags":[],"class_list":["post-19092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-exhibitions","category-archiv-exhbitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/19092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/comments?post=19092"}],"version-history":[{"count":3,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/19092\/revisions"}],"predecessor-version":[{"id":19095,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/19092\/revisions\/19095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media\/9851"}],"wp:attachment":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media?parent=19092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/categories?post=19092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/tags?post=19092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}