{"id":30083,"date":"2025-08-04T14:15:51","date_gmt":"2025-08-04T12:15:51","guid":{"rendered":"https:\/\/www.hab.de\/?p=30083"},"modified":"2025-08-04T14:15:51","modified_gmt":"2025-08-04T12:15:51","slug":"ianick-takaes-de-oliveira","status":"publish","type":"post","link":"https:\/\/www.hab.de\/en\/ianick-takaes-de-oliveira\/","title":{"rendered":"Ianick Takaes de Oliveira"},"content":{"rendered":"<p>In 1606, French engraver Philippe Thomassin, a prominent figure in Rome\u2019s printmaking scene, created an eight-plate <em>Last Judgment<\/em>. Thomassin\u2019s engraving was successful across land and sea. From the mid-seventeenth to the early nineteenth century, it was used as a source for murals and canvases throughout southern Europe, western and eastern Asia, and in the Iberian Americas. Produced at a time in which the Iberian powers and the Church were engaged in an international struggle against Protestants and the Ottomans as well as set on the conversion of indigenous peoples, Thomassin\u2019s print served as a visual tool in the spiritual and colonial conflicts of the time. My research examines: (1) the visual strategies behind Thomassin\u2019s print in Counter-Reformation Rome; (2) its intercontinental dissemination and hybridization in non-European contexts; and (3) its impact on transatlantic apocalyptic imagery and early modern eschatology.<\/p>\n<p><a href=\"https:\/\/arthistory.columbia.edu\/content\/ianick-takaes\">Profile (Columbia University)<\/a><\/p>\n<p><a href=\"http:\/\/columbia.academia.edu\/IanickTakaesdeOliveira\">Academia.edu<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 1606, French engraver Philippe Thomassin, a prominent figure in Rome\u2019s printmaking scene, created an eight-plate Last Judgment. Thomassin\u2019s engraving was successful across land and sea. From the mid-seventeenth to the early nineteenth century, it was used as a source for murals and canvases throughout southern Europe, western and eastern Asia, and in the Iberian [&hellip;]<\/p>\n","protected":false},"author":40,"featured_media":30084,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10,9],"tags":[],"class_list":["post-30083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stipendienprogramme","category-forschung"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/comments?post=30083"}],"version-history":[{"count":1,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30083\/revisions"}],"predecessor-version":[{"id":30086,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30083\/revisions\/30086"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media\/30084"}],"wp:attachment":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media?parent=30083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/categories?post=30083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/tags?post=30083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}