{"id":30642,"date":"2025-10-01T11:13:43","date_gmt":"2025-10-01T09:13:43","guid":{"rendered":"https:\/\/www.hab.de\/?p=30642"},"modified":"2025-10-01T11:13:43","modified_gmt":"2025-10-01T09:13:43","slug":"suzanne-kooloos","status":"publish","type":"post","link":"https:\/\/www.hab.de\/en\/suzanne-kooloos\/","title":{"rendered":"Suzanne Kooloos"},"content":{"rendered":"<p>Suzanne Kooloos is working on her PhD project <em>\u201cPaper, Bubble and Wind Trade\u201d: Economies of Theatre in the Dutch Republic<\/em>, supervised by Prof. Dr. Jan Lazardig (FU). She studied (visual) repertoires of foolishness and its connections to money, trade and speculation at the HAB with a young scholar fellowship.<\/p>\n<p>&nbsp;<\/p>\n<h3>Forschungsschwerpunkte<\/h3>\n<ul>\n<li>Theatre History\/Historiography<\/li>\n<li>Cultural History of the early modern period<\/li>\n<li>Theatricality<\/li>\n<li>Visual and literary histories of financial speculation<\/li>\n<li>Foolishness and financial speculation<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Fokus Historische Bildkulturen<\/h3>\n<p>Early modern visual cultures of financial speculation. Main expertise: pictorial works related to the stock market (or \u201cwind trade\u201d) crash of 1720.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Publikationen<\/strong><\/h3>\n<ul>\n<li>Kooloos, Suzanne. \u201cDe Amsterdamse Schouwburg als politiek strijdtoneel\u201d, Amber Oomen-Delhaye.\u201d Book review. <em>Spiegel der Letteren<\/em>, no. 1 (2020): 79-81.<\/li>\n<li>Kooloos, Suzanne, and Jeroen Luyckx. \u201cThe Textual Source for Philips Galle\u2019s Head of a Reveller.\u201d <em>Print Quarterly<\/em>, vol. XXXV, no. 4 (2018): 426-427.<\/li>\n<li>Kooloos, Suzanne. \u201cSacha Bulthuis.\u201d In Els Kloek (ed.), <em>1001 vrouwen in de 20ste eeuw<\/em>. Nijmegen: Vantilt, 2018: 1477.<\/li>\n<li>Kooloos, Suzanne. \u201cAuf der Suche.\u201d <em>Theater der Zeit<\/em> (2013): 38-39.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>E-Mail: suzannekooloos@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suzanne Kooloos is working on her PhD project \u201cPaper, Bubble and Wind Trade\u201d: Economies of Theatre in the Dutch Republic, supervised by Prof. Dr. Jan Lazardig (FU). She studied (visual) repertoires of foolishness and its connections to money, trade and speculation at the HAB with a young scholar fellowship. &nbsp; Forschungsschwerpunkte Theatre History\/Historiography Cultural History [&hellip;]<\/p>\n","protected":false},"author":46,"featured_media":30645,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-30642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forschung"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/users\/46"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/comments?post=30642"}],"version-history":[{"count":1,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30642\/revisions"}],"predecessor-version":[{"id":30647,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/posts\/30642\/revisions\/30647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media\/30645"}],"wp:attachment":[{"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/media?parent=30642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/categories?post=30642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hab.de\/en\/wp-json\/wp\/v2\/tags?post=30642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}